This monumental work of cultural history was nominated for a National Book Award. It chronicles America's transformation, beginning in 1880, into a nation of consumers, devoted to a cult of comfort, bodily well-being, and endless acquisition. 24 pages of photos.

With 32 pages of full-color inserts and black-and-white illustrations throughout. From one of our most highly regarded historians, here is an original and engrossing chronicle of nineteenth-century America’s infatuation with butterflies, and the story of the naturalists who unveiled the mysteries of their existence. A product of William Leach’s lifelong love of butterflies, this engaging and elegantly illustrated history shows how Americans from all walks of life passionately pursued butterflies, and how through their discoveries and observations they transformed the character of natural history. Leach focuses on the correspondence and scientific writings of half a dozen pioneering lepidopterists who traveled across the country and throughout the world, collecting and studying unknown and exotic species. In a book as full of life as the subjects themselves and foregrounding a collecting culture now on the brink of vanishing, Leach reveals how the beauty of butterflies led Americans into a deeper understanding of the natural world. He shows, too, that the country’s enthusiasm for butterflies occurred at the very moment that another form of beauty—the technological and industrial objects being displayed at world’s fairs and commercial shows—was emerging, and that Americans’ attraction to this new beauty would eventually, and at great cost, take precedence over nature in general and butterflies in particular.

In Country of Exiles, William Leach, whose Land of Desire was a finalist for the National Book Award, explores the troubling effects of our national love affair with mobility. He shows us how the impulse to pull up stakes and find a new frontier has always battled with the need to put down roots, and how a new cosmopolitanism has seized our national identity. Leach takes us across a featureless America, where strip malls homogenize a once varied and majestic landscape, and where casinos displace the Native American spiritual connection to the land. He shows us a culture where everyone, from CEOs to office temps, abandons the notion of company loyalty, and where rootless academics posit a world without borders. With compelling vision and insight, Leach reveals the profound but often hidden impact of America's disintegrating sense of place on our national and individual psyche. From the Trade Paperback edition.

In The Challenge of American History, Louis Masur brings together a sampling of recent scholarship to determine the key issues preoccupying historians of American history and to contemplate the discipline's direction for the future. The fifteen summary essays included in this volume allow professional historians, history teachers, and students to grasp in a convenient and accessible form what historians have been writing about.

In 1912 James Reese Europe made history by conducting his 125-member Clef Club Orchestra at Carnegie Hall. The first concert by an African American ensemble at the esteemed venue was more than just a concert--it was a political act of desegregation, a defiant challenge to the status quo in American music. In this book, David Gilbert explores how Europe and other African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music.' Gilbert shows how Europe and others used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging many of the nation's preconceived ideas about race, culture, and modernity and setting off a musical craze in the process. Gilbert sheds new light on the little-known era of African American music and culture between the heyday of minstrelsy and the Harlem Renaissance. He demonstrates how black performers played a pioneering role in establishing New York City as the center of American popular music, from Tin Pan Alley to Broadway, and shows how African Americans shaped American mass culture in their own image.

According to their national myth, all Americans are 'middle class,' but rarely has such a widely-used term been so poorly defined. These fascinating essays provide much-needed context to the subject of class in America.

This groundbreaking book examines the relationship between the development of the consumer society and the rise of collecting by individuals and institutions. Rusell Belk considers how and why people collect, as individuals, corporations and museums, and the impact this collecting has on us and our culture. Collecting in a Consumer Society outlines the history of museum collecting from ancient civilizations to the present. It also looks at aspects of consumer culture - advertizing, department stores, mass merchandizing, consumer desires, and how this relates to the activity of collecting. Collecting in a Consumer Society is the first book to focus on collecting as material consumption. This is a provocative and engaging book, essential reading for anyone involved with the process of collecting.